Sony ILME-FX3 Camera Hire

In a nutshell

The Sony FX3 is the perfect companion camera to almost anything in the Sony Range, from FS7, FX6 and FX9. Featuring the same sensor at the Sony FX6 and unmatched low light performance this camera really does prove that good things do come in small packages. Featuring S-Log, S-Cinetone, XAVC-I recording, 4K sensor this compact camera has all the specs to make it a perfect B-Roll, AP, or 3rd camera for your next production.

And we haven’t gotten to the FX3’s part trick yet, it’s ludicrous low light performance. With an ISO up to 409600, 15+ stops of dynamic range this camera can almost see in the dark!

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The technical lowdown

The Sony ILME-FX3 for hire from Mad Dogs Television is mighty camera in a surprisingly small package. Evolved from the ever-popular A7 range of stills and video cameras the FX3 is very much a video focused camera.

The brand new “Sony Alpha FX3 ILME-FX3” or FX3 as we’ll refer to it is Sony’s most compact “Cinema Line” camera. It’s well designed for solo-shooting, perfect on a gimble or compact rig. Think all the codecs/framerates/inputs you’d get on an FX6 (and even an FX9) and they’re all here. Well mostly.

The little “niggles” from shooting on an A7s are thankfully gone with the FX3. With dedicated buttons for aperture, iris, white balance, recording, etc it makes it far quicker and initiative to operate. In built tally lights and fantastic autofocus when paired with Sony G-Master lenses this tiny camera is a filming powerhouse. The improved battery life over the A7s range also makes shoot with this little camera far more practical, and if you are setting up in an studio then our included dummy battery/power supply means you’ll never have to worry about power running out.

Where this camera really shines is on a gimble like our Ronin RS2 and Tilta Float system, amazingly high quality, 4k, slowmo without breaking the bank, or you back in the process!

With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor.

The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections.

Standard Kit Contents

  • 1x Sony ILME-FX3 Camera Body
  • 1x Audio Top Handle
  • 4x Batteries and Charger
  • 1x Top Mic
  • 1x Vocas Shoulder Support Kit
  • 1x CFExpress USB 3.0 Card Reader
  • 2x 160GB CFEXpress Type A Cards with Cases
  • 1x Camera Case

Optional extras you might like to consider:

  • DJI Ronin Gimble
  • Screw on Filter Kit

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera’s range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera’s high sensitivity and wide dynamic range expand your flexibility in post-production.

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.

New S-Log shooting modes for optimized image quality

Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick simplifies setup by automatically switching the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony’s s709 has been added to the available LUT presets.

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera’s LCD monitor, an HDMI-connected external recording or monitoring device.

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Additional information

Sensor

35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor

ISO Sensitivity

Dual Base ISO 800/12800

Latitude

15+ Stops

Lens Mount

E-Mount

Media Type

CFExpress Type A

Weight

640g

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