Single-handed, dual-handed or briefcase with Vehicle mount, Steadicam, slider, cable cam or jib; this gimbal reall can do it all.

The RS 2 offers all the standard shooting modes you’d recognize if you have ever used a Ronin or similar gimbal, as well as a few new modes/features added in this version. A big addition is ActiveTrack 3.0, an update to the most advanced tracking technology, and after some testing, we found that it is a BIG upgrade from the previous generation. DJI says that it uses new and more advanced algorithms to track your subject, and this is clearly accurate given how much better the system was in use.

• *New* Time Tunnel: The system performs a 360-degree roll while capturing a hyper-lapse, adding a level of creativity to footage.
• Flashlight: The system tilts the camera all the way forward so users can grip the base like a flashlight.
• One-Tap Portrait Mode: The gimbal quickly orients the camera into vertical shooting for professional-level social media content.
• Panorama: After configuring sensor and focal length, choose a start and stop point for panoramas up to gigapixel size.
• Roll 360: The gimbal enters into the Flashlight position and rolls the camera system 360 degrees.
• Timelapse: This classic feature shows subtle changes over durations of your choosing.
• *New* RavenEye Transmission System – gives operators a simplified way to get remote camera viewing and parameter control. This system transmits 1080p video from up to 200 m away with a latency of just 60 ms, letting users focus on getting the perfect shot without worrying about equipment. If you are working on a professional project with a big camera crew, this new DJI RS 2 feature conveniently provides everyone with a clear view of the action.
• *New* 3D Focus System: upgrading the DJI Ronin-S focus wheel and adding ToF sensors for precise autofocusing even when using manual lenses and/or shooting in low light environments. This intelligent upgrade makes a world of difference, giving you exceptional autofocus in demanding shooting environments.

Recomended Camera and Lens Combinations

Red: Komodo + RF 24-70 mm F2.8
Blackmagic Design: BMPCC 6K Pro + EF 24-70 mm F2.8
Sony: FX3 + FE 24-70 mm F2.8
Canon: C70/R5C/R3 + RF 24-70 mm F2.8
Nikon: Z9 + Z 24-70 mm F2.8
Panasonic: S1H + L 24-70 mm F2.8