We can provide standard broadcast wired or wireless microphones, covert microphones for secret filming and much more. All of our equipment comes with all cabling, power and accessories that you may need. Have a look below at just some of the equipment we can provide, or for a more detailed look at what we can offer or a quotation get in touch using the links above.
This is an extremely quiet mixer with an S/N ratio rated at -130 dBu (A weighted) from a 200 Ohm source. It features 4 inputs and 2 outputs and offers exceptional sound quality for film or video. Other features include: M-S matrix for channels 1 and 2; Transformerless input amplifiers; Superb output limiter with stereo ganged option; 12 T, 12 V phantom and 48 phantom mic powering; Switch able mic attenuation from -10 dB to -20 dB; Slate Mic with compressor; Feed for four output channels; Low cut filter at 75 Hz or 105 Hz switchable.
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The 5S offers the same convenience of operation in exactly the same size case as the 4S but with five channels and reduced weight. Using 8 AA size internal alkaline cells, the SQN-5S easily gets through the working day without reloading, delivering 48V phantom power until the cells are completely exhausted. The quick change battery compartment permits reloading in seconds. External power can be from 6V to 24V dc, positive or negative to ground or floating.
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Similar to the SQN mixers we can offer a smaller two channel mixer for less demanding jobs. Though this little mixer only receives two channels it still turns out two channels like the SQN for left & right stereo recording. Unlike the SQN this mixer has an LED display for monitoring audio levels unlike the needle in the SQN. This LED display makes it easy to see when audio levels are peaking. The mixer is set to receive audio at mic level before outputting it at line level, receiving & sending via standard XLR3.
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The RMS 2020 is a 32 channel synthesized diversity radio microphone system. Our 2020 kits come in with separate components; a TX 2020 transmitter, DX 2020 receiver and a lapel sized Tram microphone. All supplied as a single kit. These highly compatible radio mic kits can be used either with an audio mixer or plugged straight into a camera. Their extremely clear sound quality and excellent compatibility make the RMS 2020 a universal choice for studio and location sound recording.
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The UWP series radio mics are based on proven technology that offer high levels of performance. Sony has long been established in the wireless microphone market and brings together a wealth of knowledge and technical expertises to provide the latest wireless microphone packages. The new UWP system provides diversity reception with tone squelch circuitry to ensure the best signal at all times.
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The URX-P1 portable receiver has diversity reception that ensures stable RF performance. It helps guard against the reception of unwanted and reflected signals that can adversely affect the performance and range of a wireless microphone system. As with all maddogs kit, this comes with everything you need, all accessories, tram mic, clips, etc are included.
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The TRAM TR50 miniature professional lavalier microphone answers the needs of even the most demanding sound recording engineer. It has been designed to provide high sound quality with little or no visibility. Its small size and unique design permit a variety of uses and fastening options, that make it ideal for unobtrusive appearance and hidden mic use. Designed to be used with the 2020 radio mic kit. It comes with a selection of clips for attaching the mic to different types of clothes and material.
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The MKH 30 is a directional and stereo microphone combined. Primarily its directional microphone is like any other, recording your intended audio with accuracy and clarity. However a secondary stereo function records separate left and right audio which can be monitored through headphones. This microphone is particularly favoured for motoring programmes where interviews can be conducted with stereo atmospheric sound.
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Line level microphones are mostly used on mini cam and secret filming jobs. They are omni directional microphones used to capture ambient noise. The microphone itself is only 5mm in width and 2cm long which makes it ideal for use as a hidden microphone. The microphone can be hard wired into a recorder or transmitter via its phono line output.
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The MKH 30 is a directional and stereo microphone combined. Primarily its directional microphone is like any other, recording your intended audio with accuracy and clarity. However a secondary stereo function records separate left and right audio which can be monitored through headphones. This microphone is particularly favoured for motoring programmes where interviews can be conducted with stereo atmospheric sound.
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The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications. It features increased directivity due to interference tube principle, very low inherent self-noise, high sensitivity and fully floating balanced output Rugged, suitable for adverse climatic conditions, Matt black all-metal body.
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The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish. Features include, Super-cardioids/lobar pick-up pattern, highly directional, Low inherent self-noise, high sensitivity and a Wide frequency response.
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The ME 62 is an Omni-directional microphone head suitable for K6 and K6P powering modules. It can be used for reporting, discussions and interviews. The ME 62 is particularly suitable for good reproduction of ‘room' ambience and ‘spaced Omni' stereo recording. Matt black, anodised, scratch-resistant finish. Features include, Omni-directional pick-up pattern, Minimal inherent self-noise, excellent rejection of rumble, wind and handling noise, Wide frequency response, High maximum sound pressure level and a Integral pop filter.
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The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal ‘AA' size 1.5 V batteries or by 12 - 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns. It also features a switchable bass roll-off filter protects against rumble, handling, pop and wind noise and has a transformerless balanced output on 3-pin XLR connector.
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